Tucked discreetly into Sydney’s storied Castlecrag; a suburb built by visionary architects Walter Burley Griffin and Marion Mahony Griffin – The Meller House radiates a calm, assured presence—a thoughtful interplay of enduring heritage and fresh perspective. Originally designed and built in 1950 by highly acclaimed architect Harry Seidler, it has been honoured and updated under the direction of The Stylesmiths lead designer Rose Sorkheh. The result is a home that honours its mid-century spirit while embracing a new era of considered, contemporary living. Photography by Fiona Susanto.
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The renovation orchestrates a delicate balance of texture and tone. Drawing from the home’s original design language, Sorkheh introduces Calacatta Oro marble and sandy-toned timber veneer to harmonise with the existing travertine floors. Each surface, thoughtfully selected, now speaks in unison, forming a quiet dialogue between past and present.
In response to the client’s vision for a serene, purposeful retreat, the interiors lean into timeless materials and deliberate minimalism. Calacatta Oro’s subtle veining and an array of soft, natural hues combine to forge an atmosphere that feels both grounded and forward-looking. The Meller House emerges as a tranquil haven—rooted in history, yet attuned to today.
Step inside, and tall panes of glass frame lush greenery, erasing the boundary between indoors and out. To one side, the open-plan dining area flows seamlessly into a concealed kitchen niche, a thoughtful interplay of form and function where natural finishes take center stage.
In the kitchen, creamy-veined marble unifies the island, cabinetry, and integrated range-hood for cohesive impact. Travertine floors lend earthy dimension, while timber veneer accents introduce depth and warmth. Matte-white, handle-free cabinetry recedes quietly, allowing the textures to shine. Subtle black and metallic details punctuate a soft palette of whites and creams, and natural light floods the space, underscoring its connection to the verdant surroundings. Conceived for both daily life and entertaining, the space is poised and functional. Concealed storage and hidden appliances maintain an unbroken rhythm of surfaces. A generous island invites casual gathering, while well-chosen accessories and greenery lend just the right note of personality.
Over the dining table, sculptural black FLOS lighting designed by Patricia Urquiola creates a commanding focal point. Surrounded by foliage, this zone feels like an extension of the landscape—dark timber Florence Knoll dining table – designed in 1961 paired with pale oak Andreu World Ronda dining chairs blending sharp lines with gentle curves. Follow the gentle ramp into the living area, where natural materials and thoughtful composition establish a sense of airy calm. Floor-to-ceiling glazing frames the scenery beyond, dissolving the distinction between interior and the world outside. Travertine flooring flows seamlessly from the kitchen, anchoring a tranquil, cohesive narrative.
The travertine-clad fireplace asserts itself at the heart of the room, complemented by transparent balustrades that invite light to dance freely. Warm neutrals and crisp whites dominate, accented by caramel and burnt-orange notes in the rug and furnishings. Black elements—a chair leg here, a fireplace frame there—add a contemporary, structured edge.